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Looking for a beach or oceanfront rental in Los Angeles, California with a pool? Rent By Owner has a large selection of villas, condos, cabins, and cottages. Caretta "Cara" Rudland (Minka Kelly) loses her advertising job in Chicago and returns to the family beach house in South Carolina at the request of her mother, Lovie (Andie MacDowell).
The Beach House
He keeps things impressively tight, focusing on his four actors largely in slightly shaky close-up, allowing their reactions to what’s going on around them to produce the tension. There are moments of unforgettable imagery, especially in a scene involving Emily’s foot that will send the squeamish running for the door (wear a mask if you have to run all the way outside), but “The Beach House” is a wonderful example of lo-fi horror. Most of the shots are of Emily or Randall’s face, or the fog outside. "The Beach House" reminded me of one of the reasons I love indie horror, in that Brown understands how much can be done with a performer who conveys terror instead of just a gruesome plot twist or CGI. Liberato is great, allowing us to believe Emily’s mounting horror over the world around her, and Brown knows to place most of the film’s weight on her shoulders.
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RBO vacation homes will give you maximum comfort and essential amenities such as full kitchens, Wi-Fi, hot tubs, outdoor pools, recreation and theater rooms, laundry facilities, and more for your comfort. Cara Rudland thought she’d left her Southern roots and troubled family far behind, but returns to the scenic Lowcountry of her childhood summers after losing her job in Chicago. There, she reconnects with her mother Lovie, who has been caring for her young, pregnant friend Toy in her charming beach house. Brown has a great minimalist eye—there’s a shot of the stairs that’s been used in the poster that’s phenomenal.
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SOMETHING SPECIALFOR SOMEONE SPECIAL
Cara and Brett rekindle their romance, Palmer comes to terms with his mother's wishes and cancer diagnosis, and Lovie and Flo rebury the turtle eggs on the beach. By nightfall, the fog covers the area and Randall has become even sicker. Emily discovers a police car with a radio inside, and she manages to contact someone. The person on the other end asks if "they have been exposed" and tells them to barricade themselves and to not breathe in the fog.
Not long after Cara arrives, Lovie tries to set her up with an old flame, Brett Beauchamps (Chad Michael Murray). Having just gotten out of a relationship and not planning on staying for very long, Cara resists. It turns out that the young couple isn’t alone, as an old friend of Randall’s dad named Mitch (Jake Weber) and his wife Jane (Maryann Nagel) have come to the beach house too for a different kind of vacation. Jane has health issues severe enough that this is probably their final trip, and Brown almost digs into the concept that both of these couples likely won’t be together at this time next year, although for very different reasons. Lovecraft’s “The Colour Out of Space” and Stephen King’s “The Mist,” it’s pretty easy to pick out the influences on Jeffrey A. Brown’s stellar debut “The Beach House,” but it’s also a film that stands on its own two injured feet.
He muses that something about the area feels off, then tells Emily he is going for a swim; instead, he drowns himself. It stings her and Emily sees a worm-like creature crawling in an open wound. She finds a sickened Randall being pursued by Jane, who has milky white eyes and strange fluid leaking from her mouth. Managing to lock Jane in the house, Randall and Emily escape into the slowly thickening fog.
Beach House Hotel Hermosa Beach provides a great coastal escape for romantic getaways, outdoor adventure or corporate retreats. An intriguing and unsettling debut for writer-director Jeffrey A. Brown, The Beach House offers a delightfully grim getaway for fans of imaginative, ambitious horror. One year later Cara is still living in South Carolina, is in a loving relationship with Brett, and helps oversee the turtles hatching. Lovie works with her friend Flo (Donna Biscoe) and other locals to protect wild sea turtles during their spawning cycle.

And Brown finds something in the emptiness of the world around this beach house that feels ominous long before things get Lovecraftian. It’s that sense you get on an empty beach that you’re alone and the world is much bigger and stranger than anyone knows. “The Beach House” leans into that feeling of human insignificance in the larger picture of the evolutionary cycle. In the grand scheme of things, we are but a blip on the timeline. Horror films like “The Beach House” like to play with the universal fear that the human blip can be erased. Films about the fragility of the human condition have taken on different energy since March, with works like “Sea Fever,” “Relic,” and now “The Beach House” earning unintended layers, but Brown’s direction here would have been effective in 2019 too.
Emily and Randall arrive at Randall's parents' beach house in a remote vacation town. Upon their arrival, they are pleased to see that the town looks deserted. When they enter the house, Emily and Randall go upstairs and have sex and then have a small disagreement.
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Each of the 96 studio suites in the ocean front luxury boutique hotel is designed to take advantage of the beautiful Pacific Ocean views from both the living room and bedroom areas. When Lovie reveals that she has terminal cancer and likely will not live much longer, Cara attempts to restore their relationship. She helps out by fixing up the house and marking the turtles' nests on the beach. Faced with the reality of death, Lovie finds the courage to stand up to Palmer, taking back control of her finances and planning to leave the beach house to Cara. During a hurricane, Flo digs up the turtle eggs, despite it being illegal, and brings them to the beach house for safe keeping. Toy is rescued from the elements by Brett before she gives birth three weeks early.
When Emily turns on the TV she finds an Emergency Alert System on every channel and a radio broadcast reveals that the microbes, which were preserved in underwater rocks, had been released by global warming. Emily suggests they wait until morning, but Randall is scared of dying. Emily goes into the basement, finds oxygen tanks for scuba diving, and concludes they can use them to breathe in safe air. She also discovers a horribly mutated person feeding on a corpse. Upstairs, she discovers Randall has succumbed to the infection and kills him. Finding the keys to a car, she drives away but becomes disoriented in the fog and crashes into a tree.
She stumbles from the car into a puddle and lies there, breathing in the fog and hallucinating about the microbes in the water. The next morning, she lies on the beach, telling herself not to be scared as the infection completes its course. After dinner, Randall suggests they all share some edible marijuana which he brought with him, to which Jane and Mitch agree. While high, Mitch notices the strange water texture, and they all see glowing microbes covering the beach and trees. Jane leaves to see it up close but starts coughing after a while and gets disoriented when a strong fog starts to form around the area. After breathing in the fog, Emily becomes disoriented as well and passes out.